Tuesday, June 27, 2023

Law & Order: OC Scrapbook

A collection of articles...

Law & Order: Organized Crime’: Christopher Meloni Breaks Down Stabler’s Return to the ‘SVU’ World
TV Insider; March 24, 2021
That said, we know he’s dealing with a family tragedy, perhaps involving his wife, Kathy (Isabel Gillies). How is he emotionally?
Meloni: "He’s lost and trying to find an anchor, the compass pointing north."
Where has the detective been for the last decade?
Meloni: "He wanted to get far away from the sense of betrayal he felt from the NYPD. But bitter is no way to go through life. He needed to heal himself, which started with healing his relationship with his wife. That made him a better man who’s better equipped to handle things."

Organized Crime Is Not What We Need From Law & Order
Vulture; April 2, 2021
So far, Organized Crime looks like a significant departure from the rhythm of a typical Law & Order series, one that feels at odds with Elliot Stabler’s preestablished character. 
After many years out of the franchise and a long promotional run-up to his return, Elliot Stabler is now back in the Law & Order universe as the lead character in the newest spinoff series, Law & Order: Organized Crime. He showed up first in an exciting crossover episode of his old franchise home SVU and was then ported over to his own show in his own time slot, once again running around New York City in pursuit of baddies.
Stabler’s initial return scenes on SVU were fan-servicey and indulgent — lots of opportunities to stare deeply into his old partner Olivia Benson’s eyes and attempt to atone for the mistakes of his past. But by the time Stabler strolls out of the SVU domain and over into his own series, that character in particular and Organized Crime more broadly starts looking like a frustrating measure of just how far the world has moved on from the values and tropes that defined the character years ago. Worse, Organized Crime seems to misjudge the appeal of Law & Order altogether, and it does so in a way that only exacerbates the gap between now and the Stabler of old.
Bringing back Elliot Stabler in 2021 was always going to be a mess. Sure, when seen through nostalgia glasses, Stabler is your Law & Order problematic zaddy or whatever. When he’s forced to exist in a contemporary context, though, it’s immediately obvious that all the things he was best known for a decade ago are now enormous flaws. He’s violent and impulsive, he cannot follow rules, and deep in his heart he truly believes that all these things make him a good cop.
There are a few fascinating moments in the SVU episode launching Stabler’s return, short scenes that do register how much Stabler’s whole deal is now a massive issue. When his wife Kathy is the victim of a bombing (justice for Kathy Stabler; no character ever deserves to spend this much time in a neck brace!), Stabler goes berserk. He demands to be in the interview room with a suspect even though he shouldn’t be anywhere near there, and Benson inevitably has to stop him from violently lunging at the interviewee. Benson and the DA talk about it. Stabler is a liability, he says. Stabler has a terrible misconduct record, and his current behavior doesn’t indicate he’s changed his ways. And yet Benson, who previous episodes suggest should know better by now, defends him! Once again, he somehow manages to be “a good cop” in spite of all evidence to the contrary.
The most intriguing element of the franchise’s big swing is what happens when Elliot Stabler’s preestablished character combines with the format of the new series, Organized Crime. We have only seen the first episode, which aired Thursday night, and there are no screeners available to help clarify what the whole show will be like going forward. At least as the first episode goes, though, Organized Crime looks like a significant departure from the rhythm of a typical Law & Order series. Kathy Stabler’s death (JUSTICE FOR KATHY STABLER) pushes Stabler into a complex world of mob crime, forcing the show out of its familiar episodic storytelling model and into a more serialized slow-burn crime story. SVU has dabbled in this territory before on big occasions, but its core has always been episode-length stories, and it’s possible Organized Crime will eventually revert to the L&O narrative mean. I doubt it, though — from the way its pilot is set up, Dylan McDermott is being built as a long-running Big Bad character, and Elliot Stabler seems primed to work on avenging his wife’s death for quite a while. (JUSTICE! FOR! KATHY!)
I can imagine a circumstance where a slowly developing serialized story could help push against the mess of Stabler’s character history. Episodic storytelling is often a way out for character flaws or inconsistent character development; franchises can get away with not dealing with the ramifications of someone’s bad actions when the plot starts all over again each week. But in a fictional world where Elliot has to work with the same people on the same case for an extended period of time, maybe his grandiose, uncontrollably violent pigeons might finally come home to roost. From the overall tone of the first episode, though, Organized Crime does not seem poised to embrace a reformed Elliot Stabler. In a story world driven by a Big Bad, it seems just as probable that Stabler’s terrible behavior looks increasingly justified, the necessary steps someone has to take in order to bring down the evildoer. There’s a scene near the end of the episode when Olivia Benson returns, hoping to hash things out with Stabler about the past rupture in their partnership. Stabler can’t talk to her; he’s already too far gone inside the tangled web of this new all-consuming case. I honestly can’t tell if Organized Crime wants that scene to be an indictment or an excuse.
More generally, I’m just not sure that Organized Crime is what audiences want from the Law & Order universe. Setting aside the dubious choice of creating even more cop shows right now, the appeal of the franchise’s most enduring properties has always been their role as episodic-TV comfort food. It is copaganda of a very specific flavor: There are cops, there are problems, and then those problems get fixed. If Organized Crime keeps the “cops” and “there are problems” parts of the equation, but chucks out the part where those problems are fixed in a reliable clockwork rhythm, I’m not sure the lingering fondness for Elliot Stabler will be enough to win Organized Crime a dedicated place in viewers’ hearts. (Plus, there’s no DUN DUN. Is it even Law & Order without the DUN DUN?!)
There are bright spots. Dylan McDermott and Tamara Taylor could be a very interesting set of TV antagonists. The pilot of Organized Crime doesn’t make much space to introduce the team of crime-solving regulars, so there’s some opportunity for those players to help balance out Stabler’s Stabler-ness. Still, it’s not an auspicious beginning, especially if the show continues on in the same mode. The one major consolation is that at least Elliot Stabler, by chasing down the criminals responsible for his wife’s death, will be keyed into the thing I most care about in this franchise now: Justice for Kathy Stabler! She deserved a better ending than this!

Nicky Torchia (Eli) and Christopher Meloni in the season opener of Law & Order: Organized Crime at Kathy's funeral

Law & Order: Organized Crime’ Producers Defend Use of Dead Wife Trope
The Hollywood Reporter; April 7, 2021
Showrunner Ilene Chaiken says using the device to kick off the series helps answer why Christopher Meloni's Elliot Stabler would sign on to an NYPD task force.
Amid a big premiere for Law & Order: Organized Crime and excitement over the long-awaited reunion of NYPD Capt. Olivia Benson (Mariska Hargitay) and Det. Elliot Stabler (Chris Meloni), some viewers of the show were less thrilled with the motivation behind Stabler’s return.
The SVU episode in which Stabler and Benson come back into contact opens with Stabler’s wife, Kathy (Isabel Gillies), being badly injured when a bomb — intended for Elliot — goes off in the couple’s rental car. Kathy later dies, which sets Elliot on a quest to find his wife’s killers, leading him to the task force at the center of Organized Crime.
It’s also an example of “fridging,” or using a dead female character as motivation for a male protagonist. Showrunner Ilene Chaiken defended the device in a call with reporters Wednesday, saying that even though the storytelling beat was in place when she joined the series (taking over for original showrunner Matt Olmstead), she rolled with it.
“When I joined this show, it was a fait accompli — a premise I was given to work with. I wasn’t in any way put off by it — I was immediately drawn in,” Chaiken said. “When you tell a story about a character who’s been gone for many years, a question you have to answer is, ‘Why now?’ [Kathy Stabler’s death] as a storytelling catalyst is one of the best ‘why nows’ I could think of.”
Law & Order creator and executive producer Dick Wolf called the plot point “one of the most dramatic teasers I can remember on any show. I didn’t see anything that was critical of that storytelling choice, [but] you can’t please all the people any of the time.”
Organized Crime is adopting a more serialized approach to storytelling than its Law & Order predecessors, with the first season focusing on Stabler and the task force bringing down Dylan McDermott’s Richard Wheatley. The season will have one fewer episode than originally planned after production had to shut down for a time due to COVID-19, but Wolf said the arc of the season wouldn’t be affected.
Going forward, the show will continue to focus on both Stabler’s work and his life as a now-widowed father of five kids. Wolf said a potential second season (which hasn’t formally been announced) would be broken into three eight-episode story arcs he described as echoing The Godfather, American Gangster and Scarface.
“These are going to be really bad guys that give Chris a constant source of energy, outrage, belief in justice, and a different way of pursuing criminals than we have before,” Wolf said.

Law & Order: Organized Crime Reveals Kathy's Killer & It Isn't Who You'd Expect
E! Online; May 14, 2021 
On Thursday, May 13's episode of Law & Order: Organized Crime, the culprit responsible for Kathy Stabler's death was revealed. Find out the shocking twist.
Call a bus…because we can't handle this Law & Order: Organized Crime reveal.
On the Thursday, May 13 episode of the Law & Order: Special Victims Unit spinoff, the culprit responsible for the death of Detective Elliot Stabler's wife was exposed. For those who may've missed it, Stabler's involvement with the elite organized crime task force came about after his wife Kathy (Isabel Gillies) died in a car bombing.
Since the start of the series, it was assumed that the bomber, Sacha Lenski, was hired by versatile crime boss Richard Wheatley (Dylan McDermott) with Stabler (Christopher Meloni) being the intended target. However, as we learned in the April 22 episode, the hit was actually meant for Kathy. Organized Crime followed up that bombshell with another shocking twist: Angela Wheatley (Tamara Taylor) ordered the hit on Kathy.
This news came about after the task force found new evidence that connected Wheatley's bodyguard/fixer-turned-informant Bekher (Ibrahim Renno) to the bomb that took Kathy's life. Yet, during a meeting with Stabler and Sergeant Ayanna Bell (Danielle Moné Truitt), Bekher said Wheatley "didn't give the order."
He then confessed, "Angela Wheatley did!"
We certainly didn't expect this as Angela Wheatley seemed determined to get her children away from her ex-husband's life of crime. Not to mention, Stabler and the mathematics professor shared a kiss in the new episode after connecting over grief.
So, we understandably have many questions following this reveal: Why did Angela want to take out Kathy? Is she getting revenge on Stabler for something? Is she more involved in crime than we thought?
We guess we'll have to tune in to find out.
Of course, this was only one part of an epic Law & Order crossover, which included more moments between Benson (Mariska Hargitay) and Stabler. Catch up on both series on Peacock.

Kathy, Stabler's Wife, Made a Surprising Return in the Latest Organized Crime
NBC.com; May 5, 2023
It was an episode packed with fascinating set-ups as Stabler distracted himself from his inner demons. 
"The Pareto Principle" — the title of Law & Order: Organized Crime Season 3, Episode 20 — refers to the ideology that roughly 80% of consequences come from 20% of causes. Statistically speaking, there's usually some larger force at play when problems arise.
This idea played a role in OC's latest episode, which was a nail-biting watch from beginning to end as Detective Stabler (Christopher Meloni) struggled to connect puzzle pieces to form a mind-boggling big picture. Here's what happened: 
The Control Bureau is called in by the Feds after a woman finds her dead husband's head in her dryer. The victim, an unemployed man named Frank, was secretly a member of an elaborate bank robbery operation, and the murderer is clearly trying to send a message. After chatting with the detectives, Frank's wife gives them a tip for one of his friends, Lloyd.
Stabler tracks down Lloyd and finds him lugging around a million dollars in a duffel bag. While in the interrogation room, Lloyd acts confused by the ordeal, saying he was unaware that Frank was even murdered and is simply holding the money for his friend. Attempting to make conversation and distract Stabler from this case, Lloyd asks Stabler if he's married. 
The question instantly strikes a cord, but Stabler shrugs it off while telling Lloyd his wife passed away. It's been a while since Kathy (Isabel Gillies) has come up, but it's an infinitely sore subject for Stabler. 
Stabler gains his ace in a hole after a photo surfaces of Lloyd's work vehicle outside the bank Frank robbed the day he was murdered. Plus, the Feds found the murder weapon in Lloyd's girlfriend's truck, so he's toast.
Stabler can always get the perp to crack, and Lloyd finally confesses that he hired someone to kill Frank. Better yet, Detective Jet Slootmaekers (Ainsley Seiger) successfully traced DNA evidence found at the crime scene to a man named Junior Suarez, Lloyd'd hitman. Case closed, right?
Wrong. Stabler's entire case becomes mystifying after they realize Suarez has a rock-solid alibi. He was in prison on the night of the murder.
Sgt. Ayanna Bell (Danielle MonĂ© Truitt) and Stabler visit Suarez in prison, who acts very pleased with his prison lifestyle. They question him about Frank, and Suarez gives them nothing, telling them there must be a mistake with the DNA evidence because he's been in prison the entire time. The detectives then find out Suarez has been visited by his sister frequently in recent months. 
The OC Bureau's go-to undercover man Detective Bobby Reyes (Rick Gonzalez) visits Suarez's sister, a dentist, under the guise of a typical appointment. Reyes poses as a neighborhood friend of Suarez's and begins asking questions about his recent whereabouts. Suarez's sister reveals that Suarez is often granted furlough, which is why he's seen out of prison so frequently. Reyes ditches his undercover get-up and tells Suarez's sisters to dish details about his recent activity. She reveals Suarez gave $25,000 from his hits to help his sister's family. 
Meanwhile, Jet successfully connects Lloyd to Suarez. Suarez is a member of the BX9 gang and the cousin of one of Lloyd's coworkers. Law & Order: SVU fans will recognize that BX9 is the Bronx-based gang giving Benson (Mariska Hargitay) a massive headache recently, at one point even attacking the captain. 
The detectives realize they are dealing with more than just a calculated hit; they're looking at an entire criminal infrastructure built upon granting furlough to prisoners to execute murders. The person responsible for the murder-for-hire ring is Mike Pendergast, a cheap and calculating correctional officer who selects prisoners who enjoy the inmate life that simply want a small vacation from the cell. Pendergast's prisoners don't care about money; they do it for the respect gained and the free cigarettes he provides afterward. The team successfully arrests Pendergast and recovers all the stolen money, but the question of why Suarez was paid when all the other hired inmates were not is at the top of Stabler's mind. 
Stabler heads home after a productive day and finds his mom, Bernadette Stabler (Ellen Burstyn), cooking up a delicious meal for her son. As her Alzheimer's worsens, Mama Bernie is staying with Stabler until they find the best retirement home. Stabler happily greets his mom and counts three plates laid out. When Stabler asks Bernie why she grabbed an extra plate, she flippantly says it's for Kathy.
Bernie instantly realizes she's made a mistake and apologizes profusely. Stabler reassures her that he feels Kathy is always with him, so it's not a problem. Their conversation is cut short by a call about Suarez being traced to a recent homicide near Frank's residence. Stabler wants to go check out the crime scene, and with his mom under his care, he reluctantly agrees to bring her along. 
After arriving at the scene, Stabler lovingly insists that his mother stays in the car and doesn't leave. But while Stabler interviews the murder victim's angry neighbor, Bernie ditches Stabler's request and leaves the car, effectively joining Stabler's investigation. Stabler and Bernie check out the homicide scene, and Bernie notes that the woman's husband died when she was still very young, which may attribute to her neighbor's negative perceptions of her.
Bell finds a sleepy-eyed Stabler in the office on Saturday morning, and it's abundantly clear he is avoiding issues at home by throwing himself into work. Stabler fixates on the fact that while they can confirm with DNA evidence that Suarez is the murderer, they don't understand why he agreed to these hits. Stabler cites the Pareto Principle as his rhetoric, arguing that Suarez seems connected to something much bigger than the prison operation. 
But at the end of the day, it's a Major Crimes case now, so Stabler is putting his nose where it doesn't belong. Bell tells Stabler to go home, and he opens up about his mother's slip-up the night before. Bell essentially tells Stabler to stop running from his problems by going home, but he ignores her. If there's anything the stubborn Stabler is good at it's dodging his problems by dedicating himself to a case. 
It's been years since Kathy's death, and throughout this entire case, Stabler has been hearing echoes of their marriage and his trauma surrounding her murder. If this doesn't prove Stabler is haunted by Kathy's memory, what happens next does: He catches something in the corner of his eye while looking at crime scene photos. A woman in a hospital gown walks into the interrogation room and Stabler confusedly checks out who it is. And who does he find sitting in the box? None other than the ghostly figure of Kathy herself. 
Stabler is transfixed by this vision, and as the episode fades to black, we see Stabler finally come to terms with what he's been running from all episode. Stabler misses Kathy, and no matter how much he distracts himself from work, it's hard not having her there. Stabler's steel-tight walls are finally starting to tumble down, and fans can't wait to see what Kathy's shocking pop-in will mean for him moving forward. 

Law & Order: OC’ unleashed a twist we didn’t see coming. What does it mean for Benson and Stabler?
Today Show; May 5, 2023
It’s not often a loyal fan base, especially one as observant as the “Law & Order” contingent, is caught completely off guard by a twist, but that’s exactly what happened on “Organized Crime.”
At the beginning of the May 4 episode, “Pareto Principle,” a name appeared on screen during the guest star credits that viewers haven’t seen in years: Isabel Gillies.
Gillies portrayed the longtime wife of Detective Elliot Stabler (Chris Meloni), Kathy Stabler, until Kathy died during Stabler’s return to the “Law & Order” universe in 2021 after a 10-year absence. She died after succumbing to injuries sustained in a car bomb explosion in the “SVU” episode “Return of the Prodigal Son.” The episode rolled into the series premiere of Stabler’s spinoff, “Law & Order: Organized Crime.”
Fans had to sit through basically the entire May 4 episode until they learned how Kathy would return. In the final scenes, Stabler sees movement out of the corner of his eye in the squad room and thinks it could be one of his co-workers. He calls out and walks down the hall toward an interrogation room. When he gets to the doorway, he sees Kathy sitting at the table wearing a hospital gown staring straight ahead. Then she turns and looks at him — and even appears to flash a brief smile before returning to a more serious stare.
“Kathy Stabler” started trending on Twitter, and fans were divided over Kathy’s surprise return.
“kathy stabler really showed up on our tv last night … that was not on my organized crime s3 bingo card,” one fan tweeted.
“kathy stabler (2023),” someone else shared, along with a photo of Taylor Swift as a zombie from her “Look What You Made Me Do” music video.
“I am so perplexed. And I miss Kathy Stabler and Isabel Gillies,” another person tweeted.
“if it takes isabel gillies guest starring as kathy stabler’s ghost to have elliot and olivia kiss this season i’ll take it,” one fan posted, speaking on behalf of the fan base who want a romantic relationship between Stabler and his longtime partner over at “SVU,” Capt. Olivia Benson, who’s been portrayed by Mariska Hargitay since 1999.
Meloni even responded to one person who tweeted a photo of Kathy at the interrogation table and asked for an explanation.
“You tell me,” he responded.
Another fan replied to his tweet, attributing Stabler seeing Kathy to his PTSD, among other things. In the episode, Stabler grapples with his mom’s (Ellen Burstyn) declining health on top of a case about a murdered woman who was also a widow. When he returns home one night, Stabler sees his mom, Bernie, cooking dinner. Instead of setting the table with two plates, Bernie says she put three plates out because one is for Kathy, before she remembers that Kathy's no longer with them.
"I just can’t believe I could forget about Kathy," Bernie says to her son.
"The way I look at it, she’s already here with us. So whether you put out an extra plate or not it doesn’t matter," Stabler responds in what turns out to be a moment of foreshadowing.
Combine those things with Stabler witnessing a vehicle explosion in last week’s episode.
“El’s beyond tired, scared to know he may be losing his mom slowly (please no! I love Jr Detective Bernie!) and he’s battling his ptsd. All stressors converging to bring her forward as a hallucination. (And what was Isabel’s reaction to having to be in a hospital gown again? đŸ˜‚),” the fan tweeted at Meloni.
“You….you….creative spirit!” Meloni responded. “every one else…gets an F for lazy.”
As for if we’ll see the scene with Kathy continue on next week’s “Organized Crime,” that remains to be seen. Something that fans have seen recently, however, is Stabler wearing what appears to be a wedding band on his left hand again during recent photos from filming.
In the May 4 "OC" episode, one of the perps asks Stabler if he's married or single since he notices Stabler doesn't have a ring on. Stabler tells the man his wife passed away, to which the guy responds, "Regret and guilt are like slow poisons."
Maybe the ring has nothing to do with Kathy at all, but fans will soon find out in the remaining episodes of “Organized Crime” and “SVU,” which Meloni will also guest-star on next week before a three-episode crossover finale begins in the following “OC” episode into the May 18 season finales.
The promo for the May 11 episode of “SVU” shows Benson and Stabler reuniting on the steps of the New York Public Library.
“It’s good to see you, partner,” a grinning Stabler says to Benson.
The last time viewers saw these two together was back in January when they shared their closest scene yet in Benson’s kitchen, where Benson and Stabler nearly kissed and a scared Benson pulled away after telling Stabler she “wants to” but fears what would happen if they don’t work out. Stabler, to his credit, responded: “And what if things work out?” Before that moment, Stabler had picked up Benson’s son and brought him home after a gang — BX9 — greenlit a hit on Benson and her son.
That same gang was referenced as part of the case in this week’s “Organized Crime” episode, and in a promo for next week, we see Stabler appearing to rough up the gang’s leader who previously crossed paths with Benson: Oscar Papa. On top of all of that, beloved “SVU” character Amanda Rollins (Kelli Giddish) will be reprising her role for the final episodes of the seasons for both shows. Stabler has previously crossed paths with Rollins, who’s now a professor, at work and appears to seek her out for help with the case. Rollins also is fully aware of the complicated feelings between her pal and former boss, Benson, and Stabler.
In February, Hargitay teased what’s to come for Benson and Stabler during a chat with TODAY.com using one of her favorite methods: hashtags.
“#ItContinuesToGoDeeper,” she said. “#ItsGonnaTakeAMinute. But #ThingsMayNotLookLike … #ThingsMayNotAppearAsTheyLook.”
As if those weren’t enough to get our heads spinning, she threw in a few more: “#ThingsMayBeCloserThanTheyAppear. #NeverGiveUp. #LoveWins. #TheLoveIsReal.”

'Happens Every Day' Memoir Puts Oberlin On The Infidelity Map

 Cleveland; March 29, 2009

Five years ago, when Manhattan actress Isabel Gillies landed in Oberlin, she hit upon selling $10 bunches of wildflowers at the farmers market as a way to meet people and introduce herself.
She has everyone's attention now.
"Happens Every Day" is Gillies' new memoir about living in one of Oberlin's grandest brick homes, married to the handsomest professor - "He was Heathcliff with an earring" - only to have him unceremoniously dump her and their toddler sons for the new instructor in 18th-century English literature.
Starbucks has singled out Gillies' book to promote in its 7,000 stores, praising it as a story about "loving your life even when it's falling apart." Georgetown University critic Maureen Corrigan gave it a rave on National Public Radio, saying first she, then her husband, consumed it in a single sitting.
And Gillies, who plays a small recurring part on "Law and Order: Special Victims Unit" as Det. Stabler's wife, scored four coveted minutes of national airtime Wednesday on the Today" show, where she described her writing debut, started on her BlackBerry.
"Suddenly, it's the talk of the town," said Tom Oates, assistant manager of the Oberlin College bookstore. "They're selling very quickly."
Gillies, 39, has written a chatty, slightly goofy roman a clef, with the keys left under the mat for pretty much anyone living in Oberlin. She gives her ex-husband the name of Josiah Robinson on these pages, gushing that he "was like Indiana Jones. I always imagined that his students (male and female) might write 'I love you' on their eyelids and bat them at him during his class."
He is, in actuality, Oberlin's poetry professor, DeSales Harrison. Asked if he had read "Happens Every Day," in which he berates Gillies for a mess of Cheerios left under their boys' car seats, Harrison politely and promptly e-mailed, "I would love to help you with your story, but I have found that the best policy is to refrain from commenting. I hope you understand."
Gillies, who at age 14 posed on the cover of Seventeen magazine and says she twice dated Mick Jagger, describes herself, her ex and his new wife as all friends now.
"I always felt so insecure out there because I felt like the blond actress chick who was dragged along to the party by my smarty-pants husband," she said in a telephone interview from Manhattan. "But I was pretty. And I could be funny. . . And then I married a very, very smart person -- and I was surrounded by people with all these advanced degrees so I'd fall into this blond shtick."
Little DeSales and young Isabel sailed together as children near their families' summer homes in Maine; their adult romance ignited at his sister's wedding. They married, and moved to Oberlin with two cherubic, tow-headed boys, in time for Gillies to campaign for John Kerry.
The family sparked interest when it spent more than $300,000 for a stately house on Elm Street, a steal to the couple -- "we were both pretty big WASPs" -- but much more money than college regulars could remember a new English professor affording.
"We didn't just stay in our cushy, too expensive New York life with our friends, we went out like Earnest Shackleton on the Endurance and forged new territory," Gillies writes of moving to Ohio. "I was proud of us."
She did weep, however, because her sons seemed doomed to becoming Midwesterners, but perked up when she met the newly hired English instructor, "Sylvia" in print, but professor Laura Baudot in person.
"She wore all sorts of great designer clothes, which again I appreciated," Gillies writes. "In New York everybody looks great and is well dressed, but seeing someone in Ohio wearing Marc Jacobs is like spotting an owl in Central Park. Rare."
Gillies writes that her new buddy came up with the title of her memoir. On page 177, the author describes fearfully whispering her disbelief that a man might abandon his perfect little sons. "And then in her half-French accent Sylvia said the most dumbfounding thing, 'It happens every day.' "
No other woman reacted so coldly, Gillies writes. Baudot did not respond to requests for her side of the story.
Eventually, Baudot and Harrison married. Gillies moved back to New York and married a Wall Street Journal reporter. The boys are now age 7 and 4. Their mother said she doesn't expect them to read "Happens Every Day" now, but that openness is one of her signature traits.
"I've put my emotions, raw, out there, for national television," Gillies said. "I don't think this is so different. I don't think any one would bat an eye if I wrote a song."
She is not, however, planning a reading in Oberlin.

All the Cozy Little Things Keep Me Going

The Atlantic; March 25, 2020
By Isabel Gillies

The sound of rain, the feel of a pencil, the routine of making the bed—the power of these things to make me feel better, even in a pandemic, shouldn’t be underestimated.

On the morning of the seventh day of our self-isolation, the first thing I said to my husband was, "I'm terrified."
"About what?" he asked.
I said, "Everything."
He said, "There's this funny thing people are doing on Twitter; they're saying what their coronavirus nicknames are. What was the last thing you ate out of the fridge?"
"An apple," I said.
"So your coronavirus nickname is Terrified Apple."
I'm a terrified apple. Even in normal times, none of us truly knows what's going to happen from one day to the next. Just because we signed up for a pottery class doesn't mean we'll actually get to glaze and fire a ceramic bowl. Just because you're a senior in high school doesn't mean you'll end up wearing a cap and gown. Certainty is an illusion; none of us ever gets to know.
Life's uncertainty feels more vivid than ever during the coronavirus pandemic. Our family is one of those "blended" families, and we've been separated in the lockdown. Our youngest kid is with my husband and me in Maine, our middle kid is on Long Island, and the oldest is in Colorado. Everyone's okay today, but we don't know when we'll see one another face-to-face. One dog isn't eating. Our 15-year-old's spring sports season, which he was so looking forward to, has been cancelled. Work I was banking on in the spring is no longer happening. My husband is home for lunch, which, though nice, is odd. Inside feels undefined and anxious; outside, the whole entire world is in crisis. It's all wonky and sad. If you're like me, the pandemic has left you feeling lost, even as you stay in one place. Being lost in your own home - what a feeling. The question is, what will bring you back? What will help you find your way? How can you survive the disorientation and dislocation? I've heard it said that you don't want to find refuge from the storm; you want to find refuge in the storm.
Last year, I published a book called Cozy: The Art of Arranging Yourself in the World. It's about finding the truth of who you are and then arranging yourself so that you feel better - even for a moment. It's a deeper beat than what we might immediately think of as cozy - fireplaces, candles by the side of the tub. Those things can be cozy for some, but not everyone lives where it's cold, and some people think candles are a fire hazard. It's more about what makes you tick. Who do you love? Where are you from? What paths have you traveled? Coziness is in the particulars. What will be cozy for you may not be for someone else. I'm coziest on the No. 1 subway line, in a corner seat with The New York Times. Of course, I can't ride the subway anymore. When I published the book, it felt almost foolish. Who gives a hoot about how cozy jury duty is? But I believe in this down to my toes. As flip as it may sound, coziness is something you can identify and use like a tool, even during life's darkest hours. It is precisely in these hard moments that we need to call upon our most authentic selves, and identify what makes us cozy so we can put it to work. I'm not going to get through these days by doing puzzles or baking bread, although I have pulled out the puzzles and we are baking a lot of bread. What has sustained me during the challenging times are noticing the small parts of my life that I love. The sound of a radio dial, making the bed, a dirt road, pencils. Just the sight of a pencil is cozy, and if you look, you will see them everywhere. There is something about a pencil that says, 'I will help you try'. If I'm feeling like a terrified apple, I could take a moment to notice the soft wood of the Ticonderaga No. 2 I'm using to underline a book. I could rub the eraser and marvel at how well it whisks away my mistake. I could let it make me think everything is going to be okay.
Many of us are afraid that we, or someone we love, will end up in a hospital. I believe coziness can be found even in hospitals. For my book, I intervene Ann Fink, who was a critical-care nurse for 45 years in the Neurointensive-care unit at New York Presbyterian/Columbia University hospital. She sat beside with the most traumatized patients for much of her life. When I asked her about being cozy in a hospital, she lit up. "Of course hospitals are cozy, and ICUs are where coziness is needed most. There are a thousand ways to make someone cozy. Coziness is something you have to figure out patient to patient, and family to family." She went on for a chapter about the multitude of ways she knew to try to make people feel okay. For Ann, arranging the many, many IVs so each one is neatly lined up and properly labeled soothed her and her patients. She found correct information cozy - explaining what the machines were doing was an important, comforting measure. Whenever I have been in a hospital, I have asked myself questions like: Is there a perfect little shelf by the bed where I could rest a cold apple juice? Can I hear an accent? I find Long Island accents soothing because they remind me of my father and husband; If I listen carefully, I can usually find one. Most people who work in hospitals wear name tags. Knowing someone's name can make you feel closer and more protected. Notice how good people are at their jobs. Watching a nurse cut a bandage or an orderly help someone shave is pretty moving. They are healers. They practice all day long. They've done these things hundreds or thousands of times, and will do them hundreds or thousands more. In the uncertainty of a pandemic, I feel cozy just being aware of the efforts made, even if we can't know outcomes. I just looked up and saw rainwater dripping off the corner of the roof. It's raining. I will pause for a moment and remember how much I love the rain and fog. It reminds me that my people came from Scotland. That makes me think of my parents. Then I think of my children and husband, who made me laugh this morning. Then I think of my friends, who make me laugh. Then I think of all the people on the internet who post funny videos to make as many people laugh as they can. Then I feel better. It's only for a moment, but I feel better.

Saturday, June 24, 2023

Kathy All Around


Elliot keeps this picture on his work desk




Elliot seems to move this picture (in a frame) a lot at home: his bedroom and dining room, including carrying it outside his yard.
 
Elliot has a picture of Kathy and their son Eli, first appearing in his living room and a copy on his work desk, added in season 3 when Eli went to college.

Law & Order: Special Victims Unit The Unofficial Companion

By Susan Green and Randee Dawn
Extracts about Isabel Gillies only featured here 
Chapter 1: The Rudiments
 No such precedent existed for Stabler’s long-suffering wife on SVU. Isabel Gillies was shopping for a wedding dress when a call came asking her to head over to the casting session. It wasn’t exactly a convenient time, but she told them: “’This is the right role for me and I should have it.’ And this I got the part and that was that. I was in the first episode.’


Chapter 21: Actors and Their Characters
Isabel Gillies (Kathy Stabler, 1999-Present)
Originally From: New York City
Other Wolf Films Association: Law & Order (Monica Johnson, “Bad Girl”, 1998)
Selected Other Credits: (Film) I Shot Andy Warhol (Alison, 1996), Metropolitan (Cynthia McLean, 1990); (TV) The $treet (Alison, 2000), Sex and the City (Elaine, 1998)
Upcoming Project: (Book) Happens Every Day (2009)

Just the Facts
About Gillies: “During this show I’ve been engaged, married, had two babies of my own, got divorced, got remarried, got pregnant again,” says Isabel Gillies. And the viewers thought Kathy Stabler had some challenges! In fact things have been almost as busy off-camera as on for Gillies, who has been working since 1990 in largely independent films.
Her children are six, five, and four, which means the part-time job she’s held at SVU for the past ten seasons is “perfect”. “I can’t do a TV show or a movie in Los Angeles or Vancouver because I have these kids, and for a long time I was a single mother so I really couldn’t go anywhere,” she says. “So I just do this and I got married to a wonderful man, and I don’t know- nice life!” Still, far from static: Her memoir, Happens Every Day, is due on in June 2009.

 About Stabler (Kathy, that is): “Long-suffering” doesn’t really do Kathy Stabler justice. That said, she’s probably one of the most tolerant and believable cop wives ever shown on television. She and Elliot married young (after he knocked her up), and as an SVU cop he’s rarely home, leaving Kathy to raise four children for most of the series (baby made five in season nine).
Stress pulled them apart for a time in season six, leading to the brink of divorce. She initially had her suspicions about her husband’s partner, but now believes Det. Benson to be no threat to their union. “Kathy really has her family, and she wishes it was more intact sometimes, and can be disappointed,” explain Gillies. “But I think Elliot and Kathy have a nice marriage; they get it about marriage.”

The Rest of the Story
Apparently, a little bullying works wonders with SVU creator Dick Wolf: Like Mariska Hargitay, Isabel Gillies knew she wanted the part, and wasn’t shy about telling him he’d better not hand it off to someone else. “When I went in (for the audition), Dick and Ted (Kotcheff, executive producer) were there, and I remember saying, ‘Listen, this is the right part for me, and I’m missing my kid to be at this audition so you’d better give me this role.”
Something about that seemed to tweak the powers that be- and because of the nature of the crimes, a single male lead detective could come off as perverted or strange, which meant Kathy and the kids were key roles.
“I love seeing what happens to (Elliot) in terms of the family,” says Gillies. “So many people watch it who have children, and worry about what could happen if something dreadful happened to them, so the family is comforting in a way. It would almost be too cold for the lead detective to have no reflective sensibility.”
But many fans are invested in an eventual Stabler/Benson hookup. “Over my dead body!” Gillies jokes about the possibility of them having a relationship, then acknowledges that that scenario would be fine with some loyal fans. “There are people (on the Internet) who are like, ‘I wish she’d died in that (season nine) car crash!’ Which is a little bit weird; I mean, don’t wish death on anybody.”
Even though she’s usually on only a handful of episodes a year, Gillies is always happy to be asked back. “I love it,” she says. “The thing about SVU is the humanity of it. I like that the family has a part in that, because it brings more humanity to the show. I feel incredibly proud to be part of it, the whole franchise. It’s a good example of how entertainment can work for people in their lives.” 

Starry Constellation

(site now defunct); January 2008
Q) What are the recent projects that you are working on?
A) I've been working quite a bit on "Law & Order: SVU" and then I did a movie in New Orleans called New Orleans, Mon Amour. Also, I have two children and one step child.

Q) What is new this season for your character Kathy Stabler on "Law & Order: SVU?"
A) Kathy and Elliot are back together and we're pregnant. There is a lot about my character and how the family is involved in whatever is happening in the crime script and how it reflects back on Elliot's life. He often takes things from work and takes them into home life, or vice versa. We're back together and pregnant with our fifth child. Then, there are storylines that reflect what the story is about that week. It's nice we didn't get divorced.

Q) What made you want to be a part of the show?
A) I was so happy that they would have me! Who doesn't want to be on "Law & Order?" It's a great New York show and I'm a New York actress. I've been on the original "Law & Order." When this part came up, I was lucky to get it.

Q) Where do you draw on for your portrayal?
A) I'm a mother so a lot of it is dealing with a husband who is incredibly busy and whose focus is outside the home a lot. I just sort of draw on it from imagining what it would be like to have four or five children instead of two and just what married couples go through with careers and the toilet breaking. I'm a good housewife so I draw on all that kind of stuff that I do at home, anyway.

Q) What about your role do you find challenging?
A) I don't know because I find it so exciting and interesting to go in and work with a really great cast that is there. What I, actually, think is challenging is going in and not being there every day. With going in every once and a while, then going zero to sixty. The others are there fifteen hours a day every single day. Then, I come in every once in a while and I have to kind of get up to speed with them, which is kind of difficult. The character is fun to think about how people lived and what it would be like if I lived that way.

Q) What is it like working with such an amazing cast?
A) They are wonderful professional actors and it is like playing tennis with someone who is just really great. It makes you play better and I'm just honored to be on the show. It's a great institution of television to be a part of.

Q) What has been your most memorable moment from filming the show?
A) I remember, once (way early - the first season), I was having a terrible time getting my lines down for this one scene. Chris [Meloni] was eating chicken and it was two in the morning. I just kept messing up this one line and every single time he had to eat another chicken leg. I felt so bad about that! That's not a very proud moment, but for some reason it flew into my head. I find myself in fun situations with this character. Cynthia Nixon one time kidnapped me. There is crazy stuff that won't necessarily happen to you every day.

Q) Why do you think people continue to tune into the show?
A) I think because it is really taken from real life and it reads that way. The writing is just really good and people love a drama. They just love a quick hour drama. It's exciting, interesting and real. There is no BS and people love it. I love it! You get sucked in quite quickly. Before that first commercial break, you're in there!

Q) What do you do in your spare time?
A) I've got these two boys and a step daughter. I bring them to school and pick them up from school. I make their lunches. I love cooking and I could cook all day. I think about what I'm going to cook for my husband. I take the kids to soccer.

Q) Is there a website where fans can learn more about you?
A) No, I don't.*

Q) What is your latest obsession? A movie? A sport? A film? An activity?
A) I'm way into every cookbook that Jamie Oliver has written. I just want to cook everything and go from one book to another because he's so precise and the recipes turn out exactly how he says they're going to. I get Gourmet and I buy cookbooks for fun. My husband is Jewish so now I'm getting into Jewish cuisine and the culture. I think part of creating a home is where it kind of focuses for me. That's what I do a lot. I'm not sure that I'm so obsessive a person. I've also been focused on getting married and my children all set up in school. 

*Note: I launched the original Enchanting Isabel Gillies fan site in December of 2008, later the same year. Not long after, Isabel launched her official site when her first book came out in March of 2009. 

Starry Night Scrapbook

 Various articles concerning "Starry Night" book The book was originally going to be called Beside Me but was changed during the r...